Jess Rizkallah

IF A TREE FALLS IN THE FOREST AND I BLOCK YOUR NUMBER DO I GIVE A SHIT

 

i want to be quiet
like trees. soft in a way
that bread can be.

when you look at me
i want to die the way
a minute does
then undoes     it’s not
that serious.

my understanding of yeast
depends on infection
& anecdote. i wear jeans
all summer, i don’t drink
enough water.

my doctor swabs me
to be sure & i hum
about birds.

the make & model is not
important though if you
must know: grackles.
dull sheen & missing
feathers.

i break a stick of gum
in half & then in half
again until no gum

just sticky
everything & dust
around the metal
in my nose.

july exposes my chest
i name each hair
a different seed.          i sweat
& bloom.

if you pick
a berry, then eat it. if you pick
a flower, it dies.

leave
me
alone.

 

NOTE ON PHOSPHENES

after fairuz & abdelhalim & chance the rapper

 

here we are, the forest above us erupting
            into branches searching for a pulse

where once, we spilled from the wrists of our mothers         
            our tongues forked and sharpened against a city
different from the one our parents
            fell into, their wounds held to salt.

once, we were uncomplicated, a gramophone
            playing where the stereo usually goes. the top down.
a driver less angry when the flute played.

then i played the soft fabric of my skirt’s violin
as you remembered my name
                        into a faded ribbon
            smokelike through a
salty wind tunnel carving into
            the air inside a drum

then a pomegranate
            full of teeth    

then layers of oil
            applied with a knife
a canvas softening
            into an empty hand    

i remember you now, an apple
            cushioned in soft water
filling the basin of the sink.

a head held under cold water
            by a grandmother’s hands

but the baptism in the olive oil
            that always comes after

something  to spill      
into the sails   
            this is not about love anymore
just the warm thread making
            then unmaking, moving
between us      do you hear it?

oh, wow.          arabic is so windy.
            it sounds it sounds
                                    like wind

Jess Rizkallah is a Lebanese-American writer and illustrator living in New York. Alumna of Lesley University, MFA candidate at New York University, and founding editor at Pizza Pi Press. Her work has appeared in Word Riot, Nailed Magazine, Button Poetry, and on her mother's fridge. Her collection THE MAGIC MY BODY BECOMES won the 2017 Etel Adnan Poetry Prize as awarded by the Radius of Arab American Writers and University of Arkansas Press, 2017. Find her at jessrizkallah.com.
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Mark Cugini